کتاب The Museum of Innocence

«موزه بی گناهی» آینده دنیای مدرن و سنتی و وجوه شرقی و غربی ترکیه را بدون کوچک ترین تعصبی نمایش می دهد. پاموک در کتاب The Museum of Innocence داستان زندگی مرد جوانی از خانواده ای ثروتمند را به تصویر کشیده است که در مواجهه با عشق و زندگی روزمره با خود دچار نوسان و کشمکش است. پاموک در این رمان، شرایط و حال وهوای شهر استانبول را در سال های 1975 تا 1984 به تصویر کشیده است و به نوعی سعی کرده است این داستان عاشقانه را بدون اغراق در نمونه ای از یک زندگی واقعی به تصویر بکشد.

کتاب The Museum of Innocence

کتاب The Museum of Innocence

"It was the happiest moment of my life, though I didn't know it."

So begins the new novel, his first since winning the Nobel Prize, from the universally acclaimed author of Snow and My Name Is Red

It is 1975, a perfect spring in Istanbul. Kemal, scion of one of the city's wealthiest families, is about to become engaged to Sibel, daughter of another prominent family, when he encounters Füsun, a beautiful shopgirl and a distant relation. Once the long-lost cousins violate the code of virginity, a rift begins to open between Kemal and the world of the Westernized Istanbul bourgeoisie - a world, as he lovingly describes it, with opulent parties and clubs, society gossip, restaurant rituals, picnics, and mansions on the Bosphorus, infused with the melancholy of decay - until finally he breaks off his engagement to Sibel. But his resolve comes too late

For eight years Kemal will find excuses to visit another Istanbul, that of the impoverished backstreets where Füsun, her heart now hardened, lives with her parents, and where Kemal discovers the consolations of middle-class life. His obsessive love will also take him to the demimonde of Istanbul film circles, a scene of seedy bars, run-down hotels, and small men with big dreams doomed to failure

In his feckless pursuit, Kemal becomes a compulsive collector of objects that chronicle his lovelorn progress and his afflicted heart's reactions: anger and impatience, remorse and humiliation, and daydreams that transform Istanbul into a cityscape of signs and specters of his beloved, from whom he can now extract only meaningful glances and stolen kisses in cars, movie houses, and shadowy corners of parks. A last change to realize his dream will come to an awful end before Kemal discovers that all he finally can possess, certainly and eternally, is the museum he has created of his collection, this map of a society's manners and mores, and of one man's broken heart

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